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Showing 1659 items.
52mm wide angle adapter ring
compatible with LEE standard filter holder and new LEE100 system holder.
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SERK Filter Holder for Lee Tiffen, Formatt H&K, Singh-Ray 4X4 4X5. 65 and most 100mm(4") filters
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The NEW LEE 100 Deluxe kit
filter holder
0.6 Medium ND grad
0.9 Hard ND grad
1.2 Medium ND grad
Big Stopper
Lee 100 Polarizer
3 filter pouch & wrap
ClearLEE filter wash
Clear LEE filter clotrh
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The LEE100 filter system holder for 100mm wide filters. It combines all the best aspects of our previous holder with a number of clever new features that are devised to make the experience of using filters quicker and more intuitive than ever.
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Filter Frame for LEE graduated filters – enables use of 100 x 150mm graduated filters.
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Filter Frame for LEE standard filters – enables use of 100 x 100mm standard filters and Stoppers. (New foamless Big and Little Stoppers are recommended to avoid vignetting).
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Std frame , grad frame and triple pouch kit
Existing LEE100 filters simply slot-in
Frames allow more of the filter's area to be used - critical for super-wide shots
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Introducing our new Holder specifically designed for the NIKKOR Z 14-24 f2.8 S lens.
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Spare filter blocks and removal tools for the new LEE100 Holder, are available as part of a comprehensive spares pack.
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A separation filter with maximum transmission above 610 nanometres. Also used for black and white contrast effects, haze penetration in aerial photography, and removing blue in infra-red photography
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Coral Filters were developed for the movie industry to give accurate colour temperature corrections with a bit of added red.
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Principally absorbs blue and red.
available in a range of colour densitys
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Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 4 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 6 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Medium
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Coral 2 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 4 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Light
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Coral 6 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
Coral Filters
Colours
Coral - Medium
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Coral 3 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Chocolate
Accentuates brown tones, such as autumn leaves and stone. Available with Hard or Soft gradation.
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Coral 3 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Colour Grad Set
Available in optically correct resin. This set is for the 100mmx 150mm System, but individual filters are available in a range of sizes
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Straw strip: A greater yellow warm-up for landscapes.
Straw 2 Grad :A greater yellow warm-up for landscapes.
Mahogany 1:Enhances impression of dawn and evening light in skies; red sky at night
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Designed for the portrait, wedding or studio photographer, the Glass Soft Focus Filter
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An adaptor which joins two filter holders together allowing independent rotation of each holder.
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Fluorescent Correction
Available in high quality polyester for the 100mm System.
This system combines colour temperature conversions and green absorption into one filter, making it suitable for use in various fluorescent-lit conditions.
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Based on the type of net filter which is commonly used in cinematography, this set creates a subtle soft focus effect. Addtionally, the black net filters increase contrast, while the white net filters decrease it
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Nuetral Density Graduated Filter
Hard Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Hard Grad
Density 0.45
Reduces exposure by 1.5 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 0.6
Reduces exposure by 2 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 0.75
Reduces exposure by 2.5 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 0.9
Reduces exposure by 3 Stops
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Nuetral Density Graduated Filter
Hard Grad
Density 1.2
Reduces exposure by 4 Stops
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Nuetral Density Graduated Filter
Medium Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Mediun Grad
Density 0.45
Reduces exposure by 1.5 Stops
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Nuetral Density Graduated Filter
Mediun Grad
Density 0.6
Reduces exposure by 2 Stops
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Nuetral Density Graduated Filter
Mediun Grad
Density 0.75
Reduces exposure by 2.5 Stops
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Nuetral Density Graduated Filter
Mediun Grad
Density 09
Reduces exposure by 3 Stops
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Compatible with both digital and film photography
Whatever format you shoot, ND Grads help cameras record scenes more like we see them – with a broad tonal range that's lost if not captured in the moment
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150x100mm Soft Grad -
Set of three ND Grad filters
Densities 0.3, 0.6, 0.9
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Nuetral Density Graduated Filter
Soft Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.45
Reduces exposure by 1.5 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.6
Reduces exposure by 2 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.75
Reduces exposure by 2.5 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 0.9
Reduces exposure by 3 Stop
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Nuetral Density Graduated Filter
Soft Grad
Density 1.2
Reduces exposure by 4 Stop
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150x100mm Very Hard Grad -
Set of three ND Grad filters
Densities 0.3, 0.6, 0.9
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Nuetral Density Graduated Filter
Very Hard Grad
Density 0.3
Reduces exposure by 1 Stop
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Nuetral Density Graduated Filter
Very Hard Grad
Density 0.45
Reduces exposure by 1.5 Stop
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Nuetral Density Graduated Filter
Very Hard Grad
Density 0.45
Reduces exposure by 1.5 Stop
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1.2 Neutral Density Very Hard Grad
Reduces exposure by 4 stops without affecting colour balance.
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Reverse ND filters are extremely useful, as they help to control the light in situations where the horizon is extremely bright 100x150 0.6ND
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Reverse ND filters are extremely useful, as they help to control the light in situations where the horizon is extremely bright 100x150 0.9ND
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Reverse ND filters are extremely useful, as they help to control the light in situations where the horizon is extremely bright 100x150 1.2ND
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The ProGlass ND is an extremely high quality glass ND standard filter optimised for use with digital cameras, but equally useful for film.0.6 ProGlass ND Standard
A glass filter that reduces exposure by 2 stops without affecting colour balance.
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The LEE ProGlass IRND range sets a whole new standard in high quality glass neutral density filters.
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The BIG Stopper is a high quality glass 10 stop long exposure filter. It reduces the amount of light entering your lens by 10 stops allowing you to use a much slower shutter speed or wider lens aperture.
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Foamless Big Stopper
A glass filter that reduces exposure by approximately 10 stops. This foamless version is designed for use with the new NIKKOR Z 14-24 f2.8 S Holder which has an integrated foam gasket to protect against light leaks.
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Foamless Little Stopper
A glass filter that reduces exposure by approximately 6 stops. This foamless version is designed for use with the new NIKKOR Z 14-24 f2.8 S Holder which has an integrated foam gasket to protect against light leaks.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
100x100mm filter size
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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Adaptor rings fit onto the lens to accommodate the filter holder or lens shade.
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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STANDARD Adaptor ring
There are two types of LEE Filter adaptor ring:
one for general use, and one for wide-angle lenses
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The perfect solution for ultra wide-angle, medium and large format photography.
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The LEE Filters 100mm System 100mm Push-On Filter Holder is a specialist item for wide angle lenses with a 100mm lens barrel diameter. It can be converted to fit 90mm diameter using the LEE Filters 100mm System 100-90 Donut Adaptor (sold separately)
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For Lenses with 100mm Outside Diameter
Push-On Design, No Adapter Rings
Accepts 100mm-Wide Rectangular Filters
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Filters are an essential part of the photographer’s armoury, and
keeping them clean and dry is a priority. In the past, accessibility has sometimes been a problem, as keeping filters close to hand and safe at the same time isn’t always possible.
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Filters are an essential part of the photographer’s armoury, and
keeping them clean and dry is a priority. In the past, accessibility has sometimes been a problem, as keeping filters close to hand and safe at the same time isn’t always possible.
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The LEE Slotted Wide-Angle Lens Hood has much larger bellows to allow for effective shading on wide or particularly large lenses, where the standard hoods could cause vignetting
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A zipped padded wallet which holds up to 10 resin filters, including graduates. A convenient and compact way of carrying several filters.
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Set of 10 plastic 2mm mounts for 100x100mm polyester filters, as supplied in Lee polyester sets, to avoid getting fingerprints on the filters.
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Filter mounts that allow 84mm filters, both square and oblong, to be used with the LEE Filter System.
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Adaptor rings fit onto the lens to accommodate the filter holder or lens shade.
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An ideal introduction to the comprehensive LEE Filters filter system, the new starter kit includes an assembled filter holder, a 0.6 ND grad, a cleaning cloth, and a Coral 3 grad with an extended coloured portion.
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As supplied in the Introduction Kit, this can be belt mounted, and holds a complete resin set, or a holder, two filters and rings.
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A microfibre pouch taking 3 filters (as supplied with resin filter sets), enabling secure protection with the minimum bulk. Can be written on.
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New lee filter hard protective tin case.This tin will take any 100 x 100mm filter
The 100mm Black Tin is available from LEE dealers only
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The 105mm Accessory Ring screws permanently into the front of a standard filter holder enabling a 105mm Rotating Polariser to be fitted.
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Polarising filters are used to manage light at wavelength scale, and if magnified could be likened to a series of microscopic slats
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LEE Filters have now introduced a slimline 105mm Landscape
Polariser. This new slimmer polariser will go down to 16mm without
vignetting when used with a two slotted filter holder on a full frame
35mm sensor.
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
77mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
82mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
86mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
95mm
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A new range of SW150 screw-in lens adaptors are now available. These adaptors work with both the original and Mark II Filter Systems, enabling either to be fitted to lenses with a screw-in filter thread.
105mm
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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The SW150 Mark II fits via a lens adaptor that has been specifically designed for that particular lens (the adaptor is purchased separately from the filter holder).
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16 Yellow Orange Standard
Gives even greater over-correction than No. 15. Absorbs a small amount of green.
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Coral 2 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Coral 3 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation
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Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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Coral 9 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation
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Coral 12 Graduated
Pinkish warm-up, redder than the 81 series. Available with Hard or Soft gradation.
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The Neutral Density Set can be used with both digital and film cameras. The set contains graduated resin filters that enable the photographer to adjust exposure over part of the photograph without effecting colour balance.
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SET OF 3
Reduces exposure by 1.2 or 3 stops without affecting colour balance. Soft transition from dark to light.
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SW150 Polariser: Circular Effect
Ideal polariser for autofocus SLR cameras. Slots into the Filter Holder which is then rotated. Reduces exposure 1â…” stops when fully polarised.
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The Big Stopper
A glass filter that reduces exposure by approximately 10 stops.
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The Little Stopper is a neutral density filter that reduces the light entering your lens by six stops.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
150x150 size
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The new Super Stopper works well in harsh midday sunlight - traditionally considered an unfavourable time to shoot.
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Photographers who already own the SW150 Mark I can purchase the Lightshield separately and retro fit it to their existing SW150 filter holder.
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For use with the Lee RF75 filter holder: contains three useful filters for colour photography. 0.6ND Grad Hard, 0.6ND and 81B Grad Hard.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
We offer ND filters with a full range of stopping powe
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Our ND Standards reduce the exposure equally across the frame. This increases shutter speeds and blurs movement.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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Hard Neutral Density Grads
Perfect for horizons, or any hard transition between the sky and land. Gives great control over the exposure.
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The Reverse ND allows the exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular.
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The Reverse ND allows the exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular.
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The Reverse ND allows the exposure to be controlled precisely at the horizon line, where a sunrise or sunset is at its brightest, making it ideal for seascapes in particular.
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A solar eclipse is such a rare and captivating phenomenon; it’s only natural to want to capture it in a sequence of photographs.
75mm Sev5n size
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With its 15 stops of light-reducing power, the Super Stopper sits at the head of the Stopper family, joining the Big and Little Stoppers in the long-exposure photography revolution
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The adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 37.5mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 43mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 55mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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The 62mm adapter ring screws onto the cameras lens and, in turn, the filter holder clips onto the adapter ring.
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In the past keeping your Seven5 system components and filters easily accessible has been challenging. Now with our sturdy System Pouch your entire Seven5 filter system remains safe and close by when needed
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In the past keeping your Seven5 system components and filters easily accessible has been challenging. Now with our sturdy System Pouch your entire Seven5 filter system remains safe and close by when needed
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Seven5 Hood
The Seven5 Hood has been designed to snap easily to the front of the filter holder, and will shade the lens when you are out and about.
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For a brown-tinted monochrome appearance, which is less red than Chocolate. Available with Hard or Soft gradation.
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The Starter Kit contains one filter holder and one 0.6ND Hard Grad. The adaptor ring needs to be purchased separately.
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Triple Filter Wrap
Keeping your filters clean and free of scratches is of paramount importance.
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Includes warm up and combination filters, plus ProGlass neutral density standard filter ideal for digital sensors.
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Includes graduated neutral density and warm up filters, plus ProGlass neutral density standard filter ideal for digital sensors.
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Our Stopper filters are used for extending exposure times which has the effect of making anything that is moving become blurred or ghost like, for example clouds, waterfalls, rivers or the sea.
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Versatile Adaptor Rings
LEE85 Adaptor Rings are available in a range of thread sizes from 37mm up to 72mm, and are all suitable for wide-angle lenses.
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A great place to start. Discover the potential of contrast control with a Neutral Density Grad.
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Develop your photography with creative long-exposures and effective contrast control.
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For aspiring professionals who need to manage contrast and exposure in different lighting conditions.
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Our most comprehensive collection provides all you need for control, experimentation and creativity.
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Chasing the Light is an inspirational and educational DVD exploring the essentials of landscape photograph
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Eight leading landscape photographers have joined forces with LEE Filters, to produce Inspiring Professionals, a book in which top professionals pass on techniques and advice on using filtration in landscape photography.
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New from LEE Filters in collaboration with nine of the UK’s best-known and most highly respected photographers – Joe Cornish, Mark Denton, Paul Gallagher, John Gravett, Tom Mackie, David Noton, Charlie Waite, Jeremy Walker and David Ward.
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A quartet of filters which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A filter which all absorb varying degrees of the blue and blue-green parts of the spectrum, creating different tones and contrasts of skies and foliage on black and white film.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths.
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Four filters, each of which has a different effect on the tones in a black & white image by absorbing different quantities of colour in the blue and blue-green parts of the spectrum. These filters also can be used for special effects.
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This four-filter set is designed to balance the effect of any major colour temperature disparities between light source and film or sensor. This avoids the appearance of colour casts on the final image.
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Similar to the Colour Temperature Set, this set is designed to tackle less extreme colour shifts. It can also be used to introduce subtle warming or cooling effects to the final image.
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This set of filters ensures – when shooting daylight-balanced film under fluorescent light – that the result is neutral.
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A three-filter set to allow for shooting under fluorescent lighting when shooting tungsten-balanced film.
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Five CC Magenta filters, which are designed to absorb the green cast created by fluorescent lighting. They can be stacked one on top of another for greater absorption,
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The three filters in this set are designed to increase exposure without affecting the colour balance of the picture. They are compatible with all standard film types, and digital sensors.
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Four filters of increasing intensity, primarily used for introducing warmth into both landscapes and portraits.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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This range of filters absorbs varying degrees of ultraviolet radiation, which is the cause of haze and bluish casts in distant landscapes, water scenes and aerial photography.
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A selection of colour temperature orange (CTO) filters used to convert electronic flash or daylight to match tungsten lighting
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A selection of saturated effect colours for use on backgrounds and for accent lights
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A selection of our most popular diffusion materials used to create a wide variety of effects ranging from a subtle softening of the beam edge to creating a large shadowless area.
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A selection of our ever-popular range of cosmetic filters to enhance skin tones while simultaneously softening the light
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A selection of colour tempertaure blue (CTB) filters used to convert tungsten lights to daylight or electronic flash.
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A starter pack for exploring the basics of colour addition and subtraction
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Original Pack
Create 50 colours from 12.
1 x sheet of each colour – 250mm x 300mm (10" x 12").
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Paler shades to give more subtle effects and to filter white light from the lamp
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Contains practically everything you need to handle any lighting situation.
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A selection of strong and vibrant colours for more intense colour combinations
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Lighting filters which complement the original colour magic pack to create alternative shades
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The Lee Filters Pro-pack contains 23 specially selected different sheets of filter material, and represents a versatile package for the studio.
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Containing reflectors in mirror gold, mirror silver, soft gold and soft silver, the sheets are all manufactured from the same high quality, lightweight and flexible material that you would expect from Lee Filters.
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Lee Filters 027 Medium Red sheet Sheet
Lee Filters provide high-quality lighting
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Lee Filters 027 Medium Red Roll Roll Size 7.62m x 1.22m (25' X 48") Lee Filters provide high-quality lighting
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95mm polarizer ring for the 85mm aluminum modular filter holders, allowing the use of a 95mm polarizer or lens hood with the holder system
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These filters are clear in the bottom half of the filter with a gradual transition to the ND effect in the top half.
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Neutral Density (or ND) filters produce a grey neutral effect and are used to reduce light in photography, enabling more control over exposure and depth of field without affecting color or contrast.
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105mm polarizer ring for the 100mm aluminum modular filter holders, allowing the use of a 105mm polarizer or lens hood with the holder system
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Formatt-Hitech filters for Black & White Photography produce a range of effects including control of contrast, tonal correction and enhanced skin tones.
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Clear filters are used with a holder system to create your own effects. This may be done in any number of ways but some examples are drilling, smearing with oil or other substances, or painting.
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Another industry first with Firecrest IRND is the development of IRND grads. Legacy graduated ND filters are manufactured from the traditional ND formulations originally developed for use with film and do not reduce infrared.
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin, Firecrest is a carbon metallic coating used to create hyper neutral NDs. The filters are made from 2mm thick Schott Superwite glass...
ND 0.6 2 STOP
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin, Firecrest is a carbon metallic coating used to create hyper neutral NDs. The filters are made from 2mm thick Schott Superwite glass...
ND 2.4, 8 STOPS
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin, Firecrest is a carbon metallic coating used to create hyper neutral NDs. The filters are made from 2mm thick Schott Superwite glass...
ND 2.7, 9 STOPS
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Firecrest IRND filters for photography are made from Schott Superwite glass and feature the Firecrest IRND 15 layer multicoating on the outside of the filter. .
100x100mm
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Firecrest IRND filters for photography are made from Schott Superwite glass and feature the Firecrest IRND 15 layer multicoating on the outside of the filter. . 100x100mm
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The Coral soft edge color graduated effects filter is a pale pink color. Coral Filters can be considered as both Color Correction and Color Effects Filters and are used to warm cool lighting situations such as overcast days.
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The warming Sepia graduated color effects filter gives a traditional sepia "old style" effect and is available in 3 densities 1, 2 and 3.
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The warming Sepia graduated color effects filter gives a traditional sepia "old style" effect and is available in densities 1, 2 and 3.
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The Sunset color graduated filter is graduated red, orange and yellow to give a dramatic sunset effect and is available in 3 densities 1, 2 and 3.
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The Twilight graduated filter is graduated from darkish blue at the top to a pink horizon. It provides a cool image ideally suited to creating a late afternoon/early evening twilight effect and is available in densities 1, 2 and 3.
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The Warm Black Movie Mist filter softens fine details with an added warming effect and is more subtle than the clear mist
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Neutral density (or ND) filters produce a grey neutral tone and are used in photography to reduce light, enabling more control over exposure and depth of field without affecting color contrast.
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Neutral density (or ND) filters produce a grey neutral tone and are used in photography to reduce light, enabling more control over exposure and depth of field without affecting color contrast.
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ProStop IRND is the worlds most neutral ND. The attenuation of both visible light and infra-red reduces digital artifacts and color shifts caused by infrared contamination on the digital sensor.
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ProStop, the worlds best selling high density ND filter, has been optimized for digital sensors. This means its the worlds most neutral ND filter, especially at higher densities where other brands suffer from colorcast.
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100x100mm (4x4") Resin ProStop IRND 1 (1 Stop)
100x100mm (4x4") Resin ProStop IRND 2 (2 Stops)
100x100mm (4x4") Resin ProStop IRND 3 (3 Stops)
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The 100 mm Modular Holder is unique in that it has an aluminum backplate which stands it apart from other similar holders.
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This 86 mm adapter enables the Formatt-Hitech 100mm aluminum holder to be fitted to a lens.
Milled from high quality aluminum
Surface is an anodized matte black
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This 93 mm adapter enables the Formatt-Hitech 100mm aluminum holder to be fitted to a lens.
Milled from high quality aluminum
Surface is an anodized matte black
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The Formatt-Hitech 100mm multi filter pouch is a foldable wallet manufactured from a black nylon fabric with a soft padded lining to protect the filters.
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This is s step up adaptor to adjust from 62m to 105mm and for use with the Formatt-Hitech 100mm modular holder. Use this to fit a 105mm polarizer to a 62mm lens
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin, Firecrest is a carbon metallic coating used to create hyper neutral NDs.
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin, Firecrest is a carbon metallic coating used to create hyper neutral NDs.
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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Firecrest ND is a revolutionary new type of ND filter from Formatt-Hitech. Rather than dyed resin,
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The warming Sepia graduated color effects filter gives a traditional sepia "old style" effect and is available in 3 densities 1, 2 and 3.
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The warming Sepia graduated color effects filter gives a traditional sepia "old style" effect and is available in densities 1, 2 and 3.
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The Sunset color graduated filter is graduated red, orange and yellow to give a dramatic sunset effect and is available in 3 densities, 1, 2 and 3.
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The Sunset color graduated filter is graduated red, orange and yellow to give a dramatic sunset effect and is available in densities 1, 2 and 3.
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Neutral density (or ND) filters produce a grey neutral tone and are used in photography to reduce light, enabling more control over exposure and depth of field without affecting color contrast.
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150x170mm (6x6.69") Resin Neutral Density Grad Soft Edge. Available in 0.3,0.6,0.9 or 1.2 ND
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Up to 10 stops of attenuation in resin, 8 stops in glass.
Extremely even visible and infrared attenuation to eliminate infrared contamination on your digital sensor.
The best choice for cinematographers needing a matching set of ND with IR protection
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The Formatt-Hitech Firecrest ND 3.9 Filter is a solid neutral density filter providing a 13-stop reduction in exposure
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The Multistop filter is a Neutral Density effect (or fader) filter which allows the user to change the density without having to change filters.
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The Elite Kit contains:
1 0.6 ND filter
1 0.9 ND filter
1 Circular Polarizer
1 UV filter
3 Clear protectors
1 Holder
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Formatt-Hitech Starter Kit
1 x Holder
3 x Clear Protector
1 x Neutral Density 0.6
1 x Neutral Density 0.9
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This B&W 49mm 080 Glass filter renders blue tones lighter, but yellow, orange and especially red go darker.
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The B+W 49mm F-Day 499 FLD Filter is color correction filter allowing the use of daylight-balanced film with fluorescent lighting
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The B+W B50 F-Day 499 FLD Filter is color correction filter allowing the use of daylight-balanced film with fluorescent lighting
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The B+W B60 F-Day 499 FLD Filter is color correction filter allowing the use of daylight-balanced film with fluorescent lighting
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The B+W 55mm Close-Up +2 0.25 Lens offers the ability to achieve macro-like results with camera lenses that have 55mm front filter threads.
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The B+W 49mm Close-Up 0.5 Lens offers the ability to achieve macro-like results with camera lenses that have 49mm front filter threads.
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The B+W 55mm Close-Up 0.5 Lens offers the ability to achieve macro-like results with camera lenses that have 55mm front filter threads.
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The B+W 55mm Close-Up 1 Lens offers the ability to achieve macro-like results with camera lenses that have 55mm front filter threads.
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The B+W 58mm Close-Up 2 Lens offers the ability to achieve macro-like results with camera lenses that have 58mm front filter threads.
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The B+W 58mm Close-Up 4 Lens offers the ability to achieve macro-like results with camera lenses that have 58mm front filter threads.
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The B+W 85mm Close-Up 4 Lens offers the ability to achieve macro-like results with camera lenses that have 85mm front filter threads.
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B+W B50 fog filter
Pictures taken with the B&W Fog filter appear to have been taken in a fine, bright mist. A natural fog causes lights to glow and flare. Contrast is lower, and sharpness may be affected as well.
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B+W B60 fog filter
Pictures taken with the B&W Fog filter appear to have been taken in a fine, bright mist. A natural fog causes lights to glow and flare. Contrast is lower, and sharpness may be affected as well.
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Colour-neutral filter glass
Blocks annoying UV components of daylight
No multiplying factor
Made in Germany
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84mm Pro size filter for film or digital potography using B&W films or setting.
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The COKIN CREATIVE SYSTEM consists of 3 main components :
An Adaptor Ring + A Filter Holder + 1 or more filters.
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The COKIN CREATIVE SYSTEM consists of 3 main components :
An Adaptor Ring + A Filter Holder + 1 or more filters.
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy...
Compatible with Cokin P series holders
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy...
Compatible with Cokin P series holders
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy...
Compatible with Cokin P series holders
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy...
Compatible with Cokin P series holders
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy.
Compatible with Cokin P series holders
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The COKIN CREATIVE SYSTEM consists of 3 main components :
An Adaptor Ring + A Filter Holder + 1 or more filters.
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy.
Compatible with Cokin P series holders
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The COKIN CREATIVE SYSTEM consists of 3 main components :
An Adaptor Ring + A Filter Holder + 1 or more filters.
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy.
Compatible with Cokin P series holders
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The COKIN CREATIVE SYSTEM consists of 3 main components :
An Adaptor Ring + A Filter Holder + 1 or more filters.
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy.
Compatible with Cokin P series holders
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The COKIN CREATIVE SYSTEM consists of 3 main components :
An Adaptor Ring + A Filter Holder + 1 or more filters.
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy.
Compatible with Cokin P series holders
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To fix the FILTER-HOLDER onto your lens you need an adaptor ring. then, you slide your filters into the Holder... so' easy.
Compatible with Cokin P series holders
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Reduces the excessive bluishness that frequently occurs in outdoor color photography, especially in open shade under a clear, blue sky
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These popular filters are renowned for their ability to minimise reflection at the filter surfaces which reduces flare and ghosting
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HMC are outstanding camera filters offer revolutionary performance in light transmission and color balance.
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HMC are outstanding camera filters offer revolutionary performance in light transmission and color balance.
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HMC are outstanding camera filters offer revolutionary performance in light transmission and color balance.
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HMC are outstanding camera filters offer revolutionary performance in light transmission and color balance.
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HMC are outstanding camera filters offer revolutionary performance in light transmission and color balance.
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HMC are outstanding camera filters offer revolutionary performance in light transmission and color balance.
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The Hoya 80A Filters are used to balance daylight film under artificial, tungsten or standard (household) incandescent lighting. This filter allows you to "balance", i.e. bring back, correct color tone to your images.
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The Hoya 80B Filters are used to balance daylight film under artificial, tungsten or standard (household) incandescent lighting. This filter allows you to "balance", i.e. bring back, correct color tone to your images.
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The Hoya 80C Filters are used to balance daylight film under artificial, tungsten or standard (household) incandescent lighting. This filter allows you to "balance", i.e. bring back, correct color tone to your images
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The Hoya 81A Filters controls the bluish coloration that affects daylight film.
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The Hoya 81B Filters controls the bluish coloration that affects daylight film
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The Hoya 81C Filters controls the bluish coloration that affects daylight film
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The Hoya 82A Filtera are light balancing filters used to increase the color temperature slightly for a cooler tone.
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The Hoya 82B Filters controls the bluish coloration that affects daylight film.
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The Hoya 49mm 82C Filter is a light balancing filter used to increase the color temperature slightly for a cooler tone.
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The Hoya 85 (85A) Filter will produce natural colors when shooting with tungsten film outdoors
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The Hoya 85B Filters will produce natural colors when shooting with tungsten film outdoors.
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The Hoya 85B Filters will produce natural colors when shooting with tungsten film outdoors.
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The Hoya 85B Filters will produce natural colors when shooting with tungsten film outdoors.
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The Hoya 85B Filters will produce natural colors when shooting with tungsten film outdoors.
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The Hoya 85C Filters will produce natural colors when shooting with tungsten film outdoors
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The Hoya 85C Filters will produce natural colors when shooting with tungsten film outdoors
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The Hoya 85C Filters will produce natural colors when shooting with tungsten film outdoors
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The Hoya 85C Filters will produce natural colors when shooting with tungsten film outdoors
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The Hoya 85C Filters will produce natural colors when shooting with tungsten film outdoors
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A close-up lens with a hole in the center. The periphery of the picture is rendered a delicate, softfocus effect while the central image is sharply focused
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A close-up lens with a hole in the center. The periphery of the picture is rendered a delicate, softfocus effect while the central image is sharply focused
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A close-up lens with a hole in the center. The periphery of the picture is rendered a delicate, softfocus effect while the central image is sharply focused
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A close-up lens with a hole in the center. The periphery of the picture is rendered a delicate, softfocus effect while the central image is sharply focused
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Cross Screen adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect.
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Cross Screen adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect.
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Cross Screen adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect.
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Cross Screen adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect.
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Cross Screen adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect.
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Cross Screen adds a dramatic four-cross flare to very bright areas, giving a soft-focus effect.
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Available in +1, +2, +3 and +4 diopters for close-up photography. Depth-of-field is shallow so use as small an aperture as possible, CLOSE-UPs offer a world of new creativity.
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Available in +1, +2, +3 and +4 diopters for close-up photography. Depth-of-field is shallow so use as small an aperture as possible, CLOSE-UPs offer a world of new creativity.
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Both are diffusion type filters but DIFFUSER gives a soft-focus effect due to its irregularly uneven surface while DUTO has fine concentric lines etched on its surface.
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Both are diffusion type filters but DIFFUSER gives a soft-focus effect due to its irregularly uneven surface while DUTO has fine concentric lines etched on its surface.
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The Hoya 55mm G (Orange) Filter increases contrast between reds and yellows. Particularly useful for distant outdoor shots taken with a telephoto lens. Also useful in color photography for spectacular sunsets, seascapes, etc.
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The Hoya 55mm G (Orange) Filter increases contrast between reds and yellows. Particularly useful for distant outdoor shots taken with a telephoto lens. Also useful in color photography for spectacular sunsets, seascapes, etc.
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The Hoya 55mm G (Orange) Filter increases contrast between reds and yellows. Particularly useful for distant outdoor shots taken with a telephoto lens. Also useful in color photography for spectacular sunsets, seascapes, etc.
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The Hoya 55mm G (Orange) Filter increases contrast between reds and yellows. Particularly useful for distant outdoor shots taken with a telephoto lens. Also useful in color photography for spectacular sunsets, seascapes, etc.
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The MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie.
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The HOYA MIST DIFFUSER BLACK series is an effect filter that creates a black mist effect through diffusing objects in an image, giving it a stylish cinematic look
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2-Stop Neutral Density Filter
0.6 Solid Optical Density
Permits Increased Exposure Length
Metallic ACCU-ND Coating
Clear Optical Glass Construction
One-Piece Aluminum Ring
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3-Stop Neutral Density Filter
0.9 Solid Optical Density
Permits Increased Exposure Length
Metallic ACCU-ND Coating
Clear Optical Glass Construction
One-Piece Aluminum Ring
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5-Stop Neutral Density Filter
1.5 Solid Optical Density
Permits Increased Exposure Length
Metallic ACCU-ND Coating
Clear Optical Glass Construction
One-Piece Aluminum Ring
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9-Stop Neutral Density Filter
2.7 Solid Optical Density
Permits Increased Exposure Length
Metallic ACCU-ND Coating
Clear Optical Glass Construction
One-Piece Aluminum Ring
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6-Stop Neutral Density Filter
1.8 Solid Optical Density
Permits Increased Exposure Length
Metallic ACCU-ND Coating
Clear Optical Glass Construction
One-Piece Aluminum Ring
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The Hoya Variable Density filter uses two polarizing layers to control the amount of light that passes through the filter and into the camera lens.
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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A density adjustable filter with an ND range from 1.5 to 9 f-stops (ND3-400).
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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Reduce Glare and Reflections with the CIRCULAR PL Using the CIRCULAR PL filter, reflections and glare can be reduced significantly from non-metallic surfaces.
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CIRCULAR PL filters allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc
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These popular filters are renowned for their ability to minimise reflection at the filter surfaces which reduces flare and ghosting.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage.
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HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame,
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest.
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest.
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Infrared-transmitting filters absorb most of the visible region and transmit the infrared region
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Infrared-transmitting filters absorb most of the visible region and transmit the infrared region
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Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
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Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
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Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
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Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
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Hardened optical glass that has 4 times the breaking strength in ANSI standardized testing (ANSI Z80.3 : 2001) where a steel balls of varying size and weight were dropped from a height of 50 inches onto the glass.
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Hardened optical glass that has 4 times the breaking strength in ANSI standardized testing (ANSI Z80.3 : 2001) where a steel balls of varying size and weight were dropped from a height of 50 inches onto the glass.
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Hardened optical glass that has 4 times the breaking strength in ANSI standardized testing (ANSI Z80.3 : 2001) where a steel balls of varying size and weight were dropped from a height of 50 inches onto the glass.
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Hardened optical glass that has 4 times the breaking strength in ANSI standardized testing (ANSI Z80.3 : 2001) where a steel balls of varying size and weight were dropped from a height of 50 inches onto the glass.
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The result is an average light transmission of over 97%, giving sharp contrast and well balanced color. HOYA HMC filters are recommended for enhancing the performance of today's multicoated lenses.
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These outstanding filters offer revolutionary performance in light transmission and colour balance. 12 layers of Super Multicoating are applied to the surface of the Skylight 1B and UV model
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These outstanding filters offer revolutionary performance in light transmission and colour balance. 12 layers of Super Multicoating are applied to the surface of the Skylight 1B and UV model
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These outstanding filters offer revolutionary performance in light transmission and colour balance. 12 layers of Super Multicoating are applied to the surface of the Skylight 1B and UV model
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These outstanding filters offer revolutionary performance in light transmission and colour balance. 12 layers of Super Multicoating are applied to the surface of the Skylight 1B and UV model
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This specialized filter has the ability to cut out both UV rays below 390nm and IR rays above 700mn leaving just the light rays in the visible spectrum passing through the filters and into the camera
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The UX II UV filter with water repellent coating is a redesign of the HMC UV(C) filter, now integrated into the new standard class UX II series along with the UX II CIR-PL filter.
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X0 (Yellow/green) and X1 (Green) are primarilly designed for use with Black & White film.
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Used primarily for black and white photography. XO is highly effective for outdoor portraits because red is rendered dark while green appears lighter.
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CIRCULAR PL filters allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc.
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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IN STOCK
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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Collaboration between respected wildlife photographer and conservationist B. Moose Peterson of Wildlife Research Photography and THK Photo Products, Inc., has created a circular polarizing filter that uses 81A optical glass made by Hoya,
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This PRO ND4/ND8/ ND16filter reduce the amount of light entering the lens so wider apertures can be selected, which is perfect for portraiture to reduce depth of field.
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Photographing solar eclipses and ultra-bright light sources can be extremely dangerous. This filter reduces light values by 9 stops to less than 1/500th of its original intensity and allows safe photography.
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C-PL filters allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also enable colors to become more saturated and appear clearer with better contrast
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It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches
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This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches
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Infrared filter helps cut down all other lights except infrared light, which is not visible to human eyes. Kenko R72 filter permits light of around 700 wavelenght to pass through, which is the most popular infrared filter in the world!
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Infrared filter helps cut down all other lights except infrared light, which is not visible to human eyes. Kenko R72 filter permits light of around 700 wavelenght to pass through, which is the most popular infrared filter in the world!
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Infrared filter helps cut down all other lights except infrared light, which is not visible to human eyes. Kenko R72 filter permits light of around 700 wavelenght to pass through, which is the most popular infrared filter in the world!
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Infrared filter helps cut down all other lights except infrared light, which is not visible to human eyes. Kenko R72 filter permits light of around 700 wavelenght to pass through, which is the most popular infrared filter in the world!
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Infrared filter helps cut down all other lights except infrared light, which is not visible to human eyes. Kenko R72 filter permits light of around 700 wavelenght to pass through, which is the most popular infrared filter in the world!
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Pro 1 Digital UV Filter allows you to Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
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Pro 1 Digital UV Filter allows you to Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. A multi-purpose, fine-weather filter for color as well as black and white films. Also serves as a permanent lens protector.
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Absorbs the ultraviolet rays which often makes outdoor photographs hazy and indistinct. This multi-purpose, all-around filter can serves as a permanent lens protector.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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Made by german optical glasses, reduces the intake of light without affecting the overall color balance.
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37mm ND1000 Filter made with premium Japan Optics glass, top level of transmittance, no color cast; Aviation aluminum alloy frame,super slim and lightweight, avoiding vignetting on wide angle lenses.
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High quality UV filters can be permanently mounted on lenses with a minimum impact on image quality.
Nano-X UV Filter 18-Layer Multi Coated
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This adjustable neutral density filter offers a 2 to 8 stops added density. Density changes when filter is rotated (similar mechanism to a CPL filter).
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This adjustable neutral density filter offers a 2 to 8 stops added density. Density changes when filter is rotated (similar mechanism to a CPL filter).
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The slim filter structure is ideal for ultra wide angle.
Avoids vignetting up to 16mm focal length (135mm format).
Front thread allows an extra filter to be attached on top.
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Fader ND Digi Pro-HD was then firstly launched in a 4x4 inch format for professionals who need to use with a mattebox and it was a great successful with positive feedbacks.
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The 720nm is suitable for general digital cameras, or with DSLRs, to take infrared photos without modification or removal of IR cut filter.
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The 720nm is suitable for general digital cameras, or with DSLRs, to take infrared photos without modification or removal of IR cut filter.
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The 720nm is suitable for general digital cameras, or with DSLRs, to take infrared photos without modification or removal of IR cut filter.
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The 720nm is suitable for general digital cameras, or with DSLRs, to take infrared photos without modification or removal of IR cut filter.
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Manfrotto’s Advanced range of ultra thin 12 layer multi-coated glass filters are designed for the discerning enthusiast’s needs.
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Manfrotto’s Advanced range of ultra thin 12 layer multi-coated glass filters are designed for the discerning enthusiast’s needs.
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Manfrotto’s Outdoor range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrotto’s Outdoor range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrotto’s Outdoor range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrotto’s Outdoor range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrottos Outdoor range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrottos Outdoor/ essential range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrottos Outdoor / essensial range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrottos Outdoor / essential range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrottos Outdoor / essential range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrotto�s Outdoor / essential range of super thin multi-coated glass filters are designed to suit every photographer.
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Manfrotto’s Professional range of ultra thin 12 layer multi-coated glass filters are designed to meet the demands of the professional photographer.
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Filter 46mm PRO Circ-Pol 12 Layer WRepel Antistatic Professional Circular Polarise
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Compatible with the NIKKOR Z 400mm f/2.8 TC VR S lens, this C-PL460 Slip-In Circular Polarizer from Nikon removes unwanted reflections from non-metallic surfaces such as water or glass and also saturates colors providing better contrast.
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82mm 25 a filter Produces very dramatic skies, darkens foliage and reduces haze
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950nm for outdoor and strong light,such as summer time.
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950nm for outdoor and strong light,such as summer time.
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950nm for outdoor and strong light,such as summer time.
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Neutral Density (ND) filters can reduce the intensity of light without appreciably changing its color
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